Tuesday, October 25, 2016


Ashraf Sewailam as Alidoro
As they've done the past several years, San Diego Opera invited me to sketch at the dress rehearsal of their current production. The 2016-17 season started last week with Giochino Rossini's Cinderella (Cenerentola). For a look at what I drew, check out the latest entry on San Diego Opera's blog Aria Serious by clicking here. You can also check out the work of other artists who sketched at the dress rehearsal, too, by clicking on the blog title and scrolling through recent posts.

Lauren McNeese as Cinderella

Looks as though Cinderella will be the final opera I sketch at San Diego, since I'm in the process of relocating. It's been a fun run--twenty-two operas in six years. I've enjoyed sketching performers that I know and getting to know performers that I've sketched. I've stretched my drawing muscles in ways that I often don't while drawing at my studio table. I even participated in a Little Fish Comics Studio gallery showing of opera sketches by several artists in 2014. I've been glad to see the group of us at "Artist Night at the Opera" grow from just me at Turandot in January 2011 to more than a dozen artists through the years, some of whom have come and gone. Now that I'm the one going I want to thank Edward Wilensky of San Diego Opera for continuing to invite me to this project.

Wednesday, July 20, 2016

New Posters at San Diego Comic-Con

One of the brand new Age of Bronze posters.
I'll be at booth BB1 in Artist Alley at San Diego Comic-Con starting Wednesday evening, July 20, and running through Sunday afternoon, July 24.

Six new Age of Bronze posters will be for sale at my booth. Each of the posters is based on a cover for an issue of the Age of Bronze comic book series, including the image at left, originally drawn for issue #23.

Also available are all four graphic novels in the Age of Bronze series so far, A Thousand Ships, Sacrifice, Betrayal Part One, and Betrayal Part Two. In addition, we'll have Oz posters, the recent Welcome to Oz coloring book, the new large deluxe edition of Little Nemo: Return to Slumberland, and more.

Come see me and my partner David Maxine at booth BB1 at the San Diego Comic-Con at the San Diego Convention Center on Harbor Drive in downtown San Diego, California. For more info about SDCC, here's the link.

Tuesday, June 21, 2016

Long Time Coming

The character on the right returns in Age of Bronze #34.
Age of Bronze issue #34 will feature the reappearance of a character long unseen in the story. Unseen, in fact, since issue #3.

Recently while doing some research for a completely different project, I serendipitously came across a poem printed in the May 29, 1904, issue of The Chicago Tribune. The poem's viewpoint character is the one returning in the next issue of Age of Bronze. So I thought I'd offer that poem here, along with a penciled panel featuring the character.

The Chicago Tribune failed to credit the author of this poem. But a little research showed that it was written by Ethel Clifford.
Oenone's Song
Here in the dark I sit and dream your face,
   And in the burning darkness say your name;
And wish my life once more was void of you,
   And knew again the days before you came.

So small my kingdom was, and set about
   With walls of limit; but the sun shone in,
That never shines now through the mists of rain
   With which the days end and the days begin.

So short my little singing space in time,
   But very glad the songs that were my part--
My tree of happiness stands brown and dead,
   The birds are flown that sang within my heart.

You knocked a little while at my heart's gate
   Till, fain to give, I opened it in haste,
And through the door so joyously set wide
   You entered in and laid my kingdom waste.

Friday, June 10, 2016

Priam as Proto-Superhero?

Chris Gavaler's recent book On the Origin of Superheroes delves into centuries of western civilization and American pop culture to bring to light the concepts, questions, and coincidences that gave rise to the comic book superhero as we've known it since Superman's first appearance in 1938.

Gavaler's references range far and wide. As proof of the immense net he casts, he includes early in the book a short discussion of Age of Bronze, focused to some extent on my version of Herakles.

I'm happy to be included in this dense-yet-reader-friendly book. I met Gavaler several years ago when I spoke to the Classics Department at Washington and Lee University. He's a professor there and teaches a popular course on Superheroes. If his book is anything like his class, I envy his students. Imagine a university course where you're required to discuss Nathaniel Hawthorne, Tarzan, Clarence Darrow, Neal Adams, and how they might all converge.

Gaveler includes some info that I must have mentioned directly to him--about my experience inking Curt Swan's pencil art in the 1980s. It was actually an Aquaman comic, not a Superman comic as Gavaler writes. But the part about me correcting Swan's perspective is accurate.

On the Origin of Superheroes is published by the University of Iowa Press and is available here.

Wednesday, May 25, 2016

Hot Alien Flexes

Today I made a presentation at the Comics Event of the Gay-Straight Alliance/Equality Club at James Madison High School in San Diego, CA. I spoke to a group of students gathered from several high schools in the area about my cartooning career. I showed examples of many of my projects with an emphasis on Age of Bronze. The second half of my presentation was about creating comics, and I asked the students to help me create a two-page comics story as part of my presentation.

I gave them a general outline of what the story would be about:

Character 1 is being chased by Character 2 in a specific environment. Character 1 ducks into hiding as Character 2 runs past. In the final panel Character 1 turns around to see something surprising. (This is actually a variation on a project that Joe Kubert used to assign at the Kubert School.)

I used a document camera so everyone could watch as I wrote and drew following the suggestions the students came up with. It seemed like they were all having a great time. I know that I was having fun.

First we designed the characters.

Character 1: Nelson, an immense musclebound figure with both female and male attributes, jewelry, gloves, and a tiny alien head.

Character 2: Baab, a sheep with a top hat and six legs.

After we decided the story would take place in a supermarket, we wrote the script.


PANEL 1 (Nelson flexes. Baab sees Nelson from a distance. They’re in a supermarket.)

Title: Hot Alien Flexes

Nelson: Noice!

PANEL 2 (Medium close-up on Baab, glaring.)

Baab: How dare they!

PANEL 3 (Baab chasing Nelson.)

Baab: Notice me, Senpai!

Nelson: Never—I’m getting out of here!


PANEL 1 (Nelson ducks into a Women’s Restroom.)

Nelson (thought): The CIA has found me.

PANEL 2 (Baab runs by the restroom.)

Baab: I love you, my muscular plankton!

PANEL 3 (Inside the restroom, Nelson turns to see a huge herd of sheep dressed as CIA agents.)

Nelson: Oh, no—the queers!

Finally I drew these two comics pages, following the script, with some further input from the students. I was racing against the clock to get these pages drawn, since the group was scheduled to Skype with Georgia Congressman John Lewis about his graphic novel series March, published by Top Shelf Productions. So my artwork is a bit rushed.

Make of that what you will. I disavow responsibility.

In the interests of privacy I haven’t posted the students’ names, but they were true collaborators on this comics story and I acknowledge their creative contributions. I'd like to give a big thank you to Mick Rabin for inviting me to make this presentation. It was a blast!

Monday, May 23, 2016

Great Scott

Joyce Al-Khoury as Tatyana Bakst.
A few weeks ago I sketched at a dress rehearsal for a new opera, Great Scott, by Jake Heggie and Terrence McNally. My sketches are posted on the San Diego Opera Facebook page: click here.

Great Scott is about a famous mezzo at a crossroads in her career. She's had success doing what she loves, but she's not exactly sure about where she's going. I loved it.

As San Diego Opera's official unofficial cartoonist, I've been sketching at dress rehearsals of their productions for six years now. Some of the operas they've presented I've liked, others I haven't. Great Scott I loved. It's right up my alley. A woman plumbs the depths of her soul in one scene and jumps as a human sacrifice into the crater of an erupting volcano in the next. Substance and sensationalism combined will usually grab me every time.

I'm also proud to say I've previously worked with several people in the cast. Not the stars--Kate Aldrich, Nathan Gunn, and Frederica von Stade. But chorus member Joseph Grienenberger was Musical Director of my 2014 production of The Tik-Tok Man of Oz. Chorus member Laura Bueno played Betsy Bobbin in The Tik-Tok Man of Oz. And dancer Shawn Burgess performed the Cavalier in Del Mar Ballet's 2015 production of The Nutcracker in which I played Drosselmeyer and Mother Ginger.

Monday, May 16, 2016

Smells Like Teen President

Do you find the current USA presidential campaign to be a little bizarre? Well, it's nothing compared to the campaign and presidency of Prez Rickard, the first teen president of the USA.

The new graphic novel, Prez, recently published by DC Comics, collects the whole of that strange, excessive, and well-meaning-but-unfocused saga that began in 1973. And when I write "whole," that's what I mean. All four issues of the original series are contained here, but so is the fifth issue, which was only released for legal purposes in the very limited Cancelled Comics Cavalcade. The Supergirl story that prominently features Prez is here, along with the issue of Sandman by Neil Gaiman, Mike Allred, et al, which repositioned Prez in the DC/Vertigo universe.

Also included is the reason I'm mentioning this book: Prez: Smells Like Teen President, the 1995 one-shot written by Ed Brubaker with art by yours truly. This story pays homage to all the Prez material that preceded it--including the Supergirl story. I had to fit the Supergirl reference into it surreptitiously. There were two obstacles to this. First, at the time, Supergirl had been written out of comics continuity. And, second, the DC superhero universe was separate from the universe of DC's Vertigo imprint--no crossover allowed.

My first attempt to include a connection to Prez's encounter with Supergirl was to draw an issue of the Daily Planet newspaper from Superman continuity into a panel showing a bunch of newspapers. But the editor of the DC Universe wouldn't let this fly, so I changed it to an issue of the Daily Orbit.

I'm not going to reveal how I successfully worked in a reference to the Supergirl "Prez" story. You'll have to find it yourself. It didn't violate any of DC's rules, but still I never mentioned it to my Vertigo editors Lou Stathis and Axel Alonso. I think I mentioned it to writer Ed Brubaker, but I wouldn't be surprised if he doesn't remember it now. (Although Ed's got a great memory.) Once spotted, however, I think it's pretty evident.

The publication of this story had unfortunate repercussions. Ed Brubaker had punctuated his script with a few four-letter words. But editor Lou Stathis told him to add more. A lot more. The f-word doesn't appear on every single page, but the pages where it appears multiple times probably make up for that. Reviewers gave Ed a bit of heat for this. I even had a phone call from Harlan Ellison who told me in no uncertain terms he thought it was too much. (As if Harlan Ellison would ever say anything in uncertain terms.)

When I drew this story I followed Ed's script, which included a few scenes where the main character is nude. I made no attempt to hide any genitalia. No one at DC/Vertigo had any problem with this until very late in the process when Axel broke the news. Word had come down from on high: no genitalia. The penciled art was complete, so I had to figure out how to deal with this editorial direction.

My partner David suggested that I just paste the DC logo over every instance of genitalia. Funny--but I didn't think that would fly. I didn't want to redraw figures in contorted positions to hide body parts, and I didn't want to just slap down shadows in places where nothing would be casting a shadow. My solution was to "blur out" all the genitalia. When I inked the art, I just cross-hatched over what I'd penciled. I figured it was like what they do on tv when they blur a person's face to protect their identity. Aesthetically I found that the most comfortable solution.

After the book was published I got a stern phone call from editor Lou Stathis. He reprimanded me for leaving in genitalia. I assured him that I hadn't. While on the phone he and I looked at the published comic. What I had intended as scribbles Lou insisted was clear genitalia. To this day I insist they're scribbles and anything else they are is in the mind of the viewer. However, I was sorry to have this disagreement with Lou.

He had been dressed down by Karen Berger, then editor-in-chief of DC's Vertigo imprint. Mattell, the toy company, had complained to DC Comics. Mattell had taken the back cover for a toy ad and was unhappy that the interior, in Mattell's view, had pictures of genitalia. I was pissed off that anyone thought my careful, considered artwork could somehow be a reflection on their tasteless ad for a bunch of ugly monster dolls.

Last in this new Prez collection is an excerpt from Frank Miller's DK2 and a Multiversity Guidebook entry that includes Prez.

I was surprised to learn of this new Prez graphic novel collection. My comp copies arriving in the mail were the first I was aware of it, although it seems to have been published in 2015. Back in 1999 or 2000, hoping to get a little more mileage out of Prez: Smells Like Teen President, I submitted a proposal for this very project to editor Shelly Bond at Vertigo. She turned it down then. I don't know whether someone came across my proposal more recently or whether someone remembered it or whether someone thought this up independently. But here it is at last in all its curious, excessive, bizarre glory--Prez, the First Teen President--just in time for your election year enjoyment. Ask for it at your favorite comics retailer.

If only Prez Rickard were running now.